Last days of Naples workshop, part 4
I am back from a bit of a posting hiatus – or vacation in a slow internet environment, honestly. Trying to catch up with scanning and posting now. These are the last sketches from the Urban Sketchers Naples Inventory workshop days. After the fantastically strange Cimitero delle Fontanelle (see previous post) we took on the challenge of the busy market street Via Pignasecca, where I held my workshop session. The challenge was to sketch in the street among lots of people, and to try three different ways of collecting what you see around you in such a complex place – we tried the chaotic way, the grid style and the focused collection. I only made two line drawings myself, and added colours later, because I was mostly walking around to see how everyone was doing. But I would have loved to sketch more in this busy environment, there was such an abundance of visual information here, messy, colourful and always moving, and although it was difficult to capture it, it was totally worth the effort.
In the second part of the workshop, we were all drawing from the platform of the Montesanto funicular and train station, which meant we had a slight bird´s view over the street. I didn´t manage much, but the participants made some fantastic work here!
After a feedback session on the very hot station roof, where the kind station manager brought us several bottles of ice cold water, we headed on to see the workshop exhibition in the Ramaglia art supply shop, where both instructors and participants exhibited sketch work during these four days. (Photo below by participant Massimo Messina – thanks a lot for helping me out with the camera!)
Then, on the last day of the workshop, we headed into Quartieri Spagnoli, where street artists Cyop & Kaf have left a trail of fantastic paintings on doors and walls, and Simo Capecchi had us all trying to unfold the lost story of their imagery. Drawing in these blocks of Napoli was a really special experience, where some passers-by were at first a little apprehensive of us capturing the work of their fav artists, and then, after understanding what we were up to, showing us where we could find more!
I was so thrilled by how these guys have developed their very own world of imagery and stories, and managed to make it something that the local inhabitants seem proud of having on their walls. Very inspiring indeed!
After lunch, we found ourselves at the very last point on the workshop schedule – the collective sketchcrawl afternoon around Palazzo Reale. I tried my hand at the smashing view of the harbor and Mount Vesuvius from the terrace behind the palace. I was so tired here – happy tired! – for four days of constant seeing and drawing takes it´s toll on both instructors and participants, even if it´s in a positive way. I kind of felt like I squeezed out the last few drops of paint and energy in this view, and I didn´t quite finish it, but I´m happy with it anyway. It was the end of an incredibly inspiring four day experience, where I had the luxury of being both instructor and participant in workshops all evolving around the fantastic place that is Naples.
After this, a long sleep, and then the return flights to Stockholm. And of course some airport sketches to go with it.